All available on my academia page:

“Time and Space,” A Cultural History of Memory, ed. Susan A. Crane (London, Oxford, and New York: Bloomsbury, forthcoming)

“For the Future Viewer: Salvage Ethnography and Edward Curtis’s “Oath – Apsaroke,” Journal of American Studies (2018) (13,000 words)

“New Materialisms: Time and the Object World,” in Time and Literature, ed. Thomas Allen (New York: Cambridge University Press, 2018)

“A Curious Epitome of the Life of the City”: New York, Broadway, and the Evolution of the
Longitudinal View,” Journal of Urban History, 2016, 32 pp.

“Posing for Posterity: Portraiture and the Invention of the Time Capsule, 1876,” History of Photography, Fall 2014, 25 pp.

“‘Land of Unfinished Monuments’: The Ruins-in-Reverse of Nineteenth-Century America,” American Nineteenth Century History 13, no. 2 (2012), 153-97

“Encapsulating the Present: The War of the Classes and the Birth of the Time Capsule, 1876-1901,” Winterthur Portfolio 45, no. 1 (2011): 1-28

“Utopia or Heterotopia: John Sloan and the ‘Roof Life of the Metropolis,’” American Art 25, no. 2 (2011): 14-17

“Echoes of the City: Spacing Sound, Sounding Space, 1888-1908,” American Literary History, vol. 19, no. 3 (2007), 629-660

“‘A Picture Painted in Fire’: Pain’s Re-enactments of the Last Days of Pompeii, 1879-1914,” in Victoria Coates and Jon Seydl (eds), Antiquity Recovered: The Legacy of Pompeii and Herculaneum (Getty, 2007)

“South Side Story,” Reviews in American History, vol. 33, no. 2 (2005), 224-32

“The Metropolitan Life in Ruins: Architectural and Fictional Speculations in New York, 1909-1919,” American Quarterly, vol. 56, no. 2 (2004), 308-347

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